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Richard Deacon Dead Leg

September 10 to December 18, 2011

Richard Deacon’s Dead Leg is but one example of his tour-de-force, large-scale sculptures. Made from compressed 2 x 2 foot lengths of oak, bound together by fabricated stainless steel couplings, it measures a grand 8 x 28 x 9 feet. For over twenty-four years now, Deacon has collaborated with Matthew Perry to problem-solve the engineering and production of the wood sculptures. Together, they have developed technologies and working methods, the coalesced “disallowed combinations” as Deacon puts it, that push beyond what has been thought possible to do with oak and other types of wood. Their methods transform materials through the command of an expertise that serves Deacon’s innovative aesthetic. Certainly his knowledge of and interest in materials is apparent, and, the manipulation of structural elements is at the core of his practice that draws attention to the process of manufacture and the use of urban and industrial materials.

Richard Deacon lives and works in London, dividing his time between the Kunstakademie Dusseldorf, where he teaches, and Cologne, Germany.

Among many notable citations and honors, Mr. Deacon was awarded the Tate Gallery’s prestigious Turner Prize in 1987; the Chevalier des Arts et des Lettres by the French Ministry of Culture in 1997; and, he represented Wales at the 52nd Venice Biennale in 2008. Elected to the Royal Academy in 1998, Richard Deacon was chosen as a Commander of the British Empire (CBE) by Her Majesty Queen Elizabeth II for his significant contributions to the Arts in Great Britain.

The artist’s work is found in the permanent collections of the Tate Gallery, London; Museum of Modern Art, New York; San Francisco Museum of Modern Art; St. Louis Art Museum; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Museum of Contemporary Art, Chicago; Musee Beaubourg, Centre Pompidou, Paris; Stedelijk Museum, Amsterdam; Louisiana Museum, Denmark; Fundacion Caja de Pensiones, Barcelona; KIASMA, Finland; Museum of Contemporary Art, Tokyo; and, the Samsung Museum, Seoul, South Korea, among other notable institutions.

 

 

Past Exhibitions

Spring 2012:

Reasons, Excuses, Alibis and Non Sequiturs The 18th Annual Juried Graduate Exhibition

Bird


Sinners and Saints

Fall 2011:

Richard Deacon Dead Leg

Re-imagining American Identities

Spring 2011:

Eva Hesse Spectres 1960

Roadcut: The Architecture of Antoine Predock

Through a Narrow Window: Friedl Dicker-Brandeis and Her Terezin Students

Under the Skin of New Mexico: The Art of Cady Wells 1933-53

Lee Montgomery, Transformed 02: I Am Sitting in a Theater

Fall 2010:

Desire for Magic: Patrick Nagatani 1978-2008

Tamarind Touchstones
Fabulous at 50

To Form from Air: Music and the Art of Raymond Jonson

Minutes to Midnight, Claudia Valdes

Spring 2010:

Man Ray, African Art and the Modernist Lens

Fall 2009:

Dispersal / Return: Land Arts of the American West